Photography


June 22, 2008 Art, My Curatorial Work, Performance Art, Photography

Jocelyn Foye - Roller Derby Project - Jocelyn Shoots Diana 2

For those not in the loop on her work, Jocelyn Foye captures the performances and actions, primarily by athletes, in clay and then uses those imprints to make sculptural works. Live performances/actions or photographic documentation of performances often accompanies the work. I’ve been working with Jocelyn for a while now, and commissioning, promoting or exhibiting her projects whenever possible. Jocelyn has work in New In Town?, a show opening next week at Angels Gate, which will feature a dozen of the artists who have joined the Center in the past two years. While Jocelyn and her husband Jeff are no longer at the Center, having secured a truly awesome live/work space in Pedro, both of their work will be featured in the exhibition.

Jocelyn has two pieces in the exhibition, one, a cast urethane rubber saddle, …and she rode it bareback., and another, a wall piece based upon the impressions and impacts of two members of the LA Derby Dolls, a banked-track roller derby association based out of a warehouse in Historic Filipinotown. I grew up watching the televised pro-wrestlingish version of roller derby, so I have a sort of childhood fascination with the sport, and I’m totally enthused that I’m going to be able to bring something related to it into my gallery.

Jocelyn invited me to stroll over to her studio to see and shoot the performance part of the project, which is where all of teh photos in this post are from. The two models for this shoot are Diana Brooks, a.k.a. Thunder Kiss and Kelly MacIntosh, a.k.a. Smacdown. Diana is in the pink helmet and Kelly is in the white one. Also featured in this shoot are Jocelyn herself, also shooting (seen at top), and Colin, one of her students who came by to help prepare the clay surface for the action. All 54 of my “good photos” from the shoot are in this Flickr set, if you want or need to see more than those featured here.

Jocelyn Foye - Roller Derby Project - Colin Smooths Clay 3

above - Colin smooths clay. Colin was extremely thorough and helpful in making sure that the surface was as smooth as possible. He had to catch a plane back to the UK the next day, which made him a double trooper for pitching in.

Jocelyn Foye - Roller Derby Project - Kelly and Diana Check Out The Surface

above - Diana and Kelly check out the surface. A lot of “How are we going to hit this? How hard can we hit this? Where should we hit this?” talk went on prior to the actual performance. One of the reasons I like Jocelyn’s work is that it involves non-artists in the creative process, that during her performances there’s a fascinating interaction between laypeople and art materials. In the two performances I’ve directly witnessed, there’s a period of cautious action and exploration, followed by enthusiastic engrossment in the action on the part of the performers.

Jocelyn Foye - Roller Derby Project - Diana With Skate Key

above - Diana changes her wheels. I will admit here, I used to be an enthusiastic downhill rolllerblader (stop laughing now, please?), having basically grown up on a massive hill, where everything worth doing was down and miles away. So I totally get the importance of having the proper wheels for the job. The massive size of her skate key/multi-tool was totally impressive.

Jocelyn Foye - Roller Derby Project - Kelly MacIntosh - aka Smacdown

above - All dressed up and ready to go. Wardrobe is important for proper roller derby action. Both girls brought a mountain of getups. Roller derby is a little more honest and embracing about spectacle and theatre than most other sports.

Jocelyn Foye - Roller Derby Project - Diana's Slide

above - Diana slides into the panel. The panel behind the clay was rather thin, so the whole time both women were trying to give it their all, but a little nervous that they’d blow out the panel. It buckled a little bit, but held up.

Jocelyn Foye - Roller Derby Project - Kelly In Flight

above - Kelly in flight, kicking the panel.

Jocelyn Foye - Roller Derby Project - Diana Goes for the High Hit

above - Diana grabs the top of the panel and slams into it high. The girls were trying to figure out novel ways to do damage to the top part of the panel.

Jocelyn Foye - Roller Derby Project - Inverted Kelly

above - Kelly doing a handstand reverse kick. It’s worth noting that she didn’t just do a handstand and kick the panel, she did a high speed approach into a handstand and kicked the panel.

Jocelyn Foye - Roller Derby Project - Diana Slams the Wall

above - Diana knees the panel. You can see a little of the bucking done by some heavy impact in the center of the panel here. One of the things about Jocelyn’s work that particularly fascinates me is the regularity and pattern of movement by the performers.

Jocelyn Foye - Roller Derby Project - Kelly with Dirty Helmet

above - an amped up Kelly, post performance, with clay mess on helmet.

Jocelyn Foye - Roller Derby Project - Posing at Finish

above - After the destruction was done, the derby queens pose for a post-performance photo. Come see the piece that results from all this fury and mess next week at Angels Gate, and don’t miss the massive two day Battle on the Bank tournament coming up next weekend. Roller derby teams from all over are coming together to battle it out in the blazing heat of the LA summer on the 28th & 29th.

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June 19, 2008 Art, History, Photography

The Smithsonian Institution joined Flickr’s Commons last week, and of immediate note to me was their 91 image collection of images of artists. Most of these artists I’m not familiar with, such as William Morris Hunt, seen above. Some, like Winslow Homer, John Singer Sargent or George Inness are familiar.  There’s a real range of photography styles and formats on view in the collection, which is interesting in all by itself.

As I’m currently curating a project dedicated to documenting artists in portrait (see all images from that project here), I’m further invigorated as to the long-term importance of that project and others like it when I look at these images.

Also worth noting is the Smithsonian’s set of 141 images of portraits of scientists and inventors.

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June 17, 2008 Art, Photography

I saw Sawada’s current show at Rose Gallery last week in LA. Her new work is perhaps it’s less of a spectacle than her earlier work, leaving me wondering if she’s in the process of moving on from her earlier work, and her current work is transitional. Read the ArtKrush interview here.

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May 21, 2008 Art, Photography
Pulling Ice from the Truck - Allan Kaprow's Fluids at Angels Gate - Slobodan Dimitrov - Rolleiflex

Above is one of the last eight photos to roll in and get scanned. Some of them were shot with a Holga, as well as with a Rolleiflex. Maybe more are coming and maybe not. Check them out at the AGCC blog, or in the Fluids Flickr set.

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May 19, 2008 Photography
In the studio with Eric Johnson - Maize 5-17-08 - Eric's Ford With Drill Presses

A Classic Ford in red, red, red! and a grey army of shop tools. This is like the cave from Ali Baba and the 40 Theives to me, a cornucopia of treasures. I just love the gray/red thing going on here in this photo. Spent another Saturday working with Eric on Maize, breakdown post coming soon.

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May 14, 2008 Art, My Curatorial Work, Photography

Artist Portraits - Lindsay Foster - Salty Dog Bites the Hand

I guess I’m the curator for this project, I hadn’t really thought of it that way until today, but I’ve spent the past six months gnawing at my Executive Director’s heels for funding to buy a case of the discontinued Polaroid Type 55 instant 4″x5″ film that makes this project possible, so I guess I’m wearing that hat. But it’s really all about having an excuse to have Slobodan shoot the artists that make everything we do at the Center possible, and to document them as workers.

That’s CalArts student Lindsay Foster up top and Professor Allan Sekula below. The other six portraits can be seen over at the Angels Gate blog, and the entire series of 42 (so far!) can be seen in the project’s Flickr pool.

Artist Portraits - Allan Sekula - Salty Dog Bites the Hand

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May 9, 2008 Art, Museum, Performance Art, Photography

Seen at Modern Art Notes. Explanation and background here. Flickr sets of jumping at MOMA and PS1 by Daily Marauder. Enjoy.

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March 27, 2008 Art, Gallery, Photography

Man I am beat.  I’ve been sick as a dog for over a week now, and it’s really got me out of action, here and everywhere else as well.  Reviews of California Video and Allan Kaprow: Art As Life coming as soon as I catch up on my “real work” and get my head together.  There’s a lot to do this weekend, especially Saturday night.

Friday, March 28

Saturday, March 29

Labor Day, @ Occidental College.  A Happening, part of Art As Life, students will move around a cubic yard of sand and drive a car in circles, stopping once per lap to remove and reinstall the car’s wheels.  Starting at Occidental College at the Mullin Sculpture Building at 8 AM, it will go on until dusk.

PIX @ Torrance Art Museum.  Group show of “some recent photos from the post filmic era.”  Featuring works by Stephanie Allespach, Bia Gayotto, Todd Gray, Micol Hebron, Audrey Mandelbaum, Douglas McCulloh, Kyungmi Shin and Daniel Wheeler.  I recommend seeing anything that Doug McCulloh is doing, he has incredible range as an artist, and he’s a true mensch.  I’ve been into Micol Hebron’s work since she crossed my doorstep in the Pato Hebert curated exhibition of Art Center faculty at Angels Gate, 110%.  Also opening at the same time, in their project space is Eye/I, an exhibition of photographs, photo-drawings and photocollages by Jim Farber.  Opening reception is from 7 -10 PM.

Macha Suzuki, Walk, @ Sam Lee Gallery. I’m not sure if Macha Suzuki’s Minor Threat (image at top) is meant to be a riff on Cai Guo-Qiang’s work, but if it isn’t, it should be.  Fun sculptural narratives from Macha Suzuki in this show, and Sam has personal fave Christine Nguyen in the Project Space, an excellent paring of artists who explore the fantastic in novel ways.  Reception is 6-9 PM, and it’s in Chinatown, so there may be other stuff to see as well.

Homenaje @ Crash Mansion LA.  An evening featuring music by Roy Ayers, and Najite with Tony Allen on drums.  Tony Allen is the percussion god who, along with Fela Aniakulpao Kuti made some of the best music ever played, recorded or heard as they defined afrobeat.  If I could choose a heartbeat for my funky future robot revolutionary self, it would be the unstoppable rhythm of Allen’s drums.  It’s $25 at the door, and even my cheap ass would consider that a bargain.  Doors open at 8 and it goes till 1 AM.

Ganja & Hess @ Cinefamily at the Silent Movie Theatre.  My understanding is that the Cinefamily have borrowed the Museum of Modern Art’s 35mm print, the only director-approved cut, of this horror classic.  Probably the only chance you will ever, ever get to see this, the final installment in their Holyfuckingshit: Funkadelic Fairy Tales lineup.  $10 @ 10:30 PM.

Sunday, March 30

Artist Talk with Matthew Thomas, @ Angels Gate Cultural Center.  Gotta pimp myself here.  Matthew’s show, Too Busy For Love, has been a riot, he’s sold a ton of work (which is pretty unusual for AGCC, since we’re not a commercial operation) and we’re going to be very sorry to see it come down on Monday.  Get your last look at the show, and a chance to meet Matthew and hear about his process and his ideas about painting and art.  Matthew has what I can only describe as an amazing mind - he’s a synthesizer of seemingly unrelated concepts, and an autonomous idea spitting thinker.  At 2 PM, with light refreshments.

Robby Herbst, Household Revisited: Peaceniks and Treehuggers, Initial Informational Meeting for Participants, @ Outpost for Contemporary Art. Another Kaprow related happening, this is a meeting for people who want to get involved in what is described “as a day long event occurring at a lonesome dump out in the country”, resulting in “some kind of kind of happening musical we create together.”  Meeting is from 2-4 PM.

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February 10, 2008 History, Photography

Flickr is still screwed up, but I managed to log in using Opera. Still frustrating, since I’m writing this post in ScribeFire, which is in Firefox. But doable.

My last day (for a while, at least) of posting daily pictures from PhotosNormandie. I’m back in school full time as of yesterday, and I’m also hanging a show in both of Angels Gate’s galleries, so I’m stupid busy until at least next Sunday.

I like ending on these photos. They really demonstrate just how broad this collection of images is.

Above - Canadian performers as part of Invasion Revue. Why does this shot of the crowd make me think of the USO show in Apocalypse Now? Must be the combination of panty shots and war.

From PhotosNormandie -

Trois comédiennes font leur représentation sur scène en tenue de cow-girls.
Reportage de 10 photos (p010871 à p010880 dont une en double) sur une représentation du spectacle canadien “Invasion Revue “, le 30 juillet 1944 à Banville.
Banville au sud de Graye-sur-Mer (secteur Juno) est libérée le 6 juin 1944 par les canadiens. Le 25th Royal Engineers Airfield Construction Group, service de la RAF chargé de l’aménagement et de la réparation des terrains d’aviation de campagne y établi son PC.
L’ALG B-3 est à proximité immédiate.
DOUBLE: idem photo p010880

Above - Love that lighting. This is a truly great photograph - you’ve got great focus, faces in different kinds of shadows. I only wish I could read the long caption better to know what was going on.

From PhotosNormandie -

Après l’Operation Cobra, les troupes américaines ont reconverti des soviétiques qui appartenaient à des bataillons de la Brigade “Bounyatchenko” ou à des bataillons de travail, en ” travailleurs libres “. Nous voyons ici deux photos prises près de Coutances le 8 août 1944.
- ils aident au transport des munitions. p011787
- séance récréative le soir après le travail. p011788
Il s’agit en fait de photos de propagande, tous ces prisonniers furent livrés à l’Union Soviétique, inéluctablement, selon les accords signés entre les Alliés occidentaux et orientaux.
Comme le note l’historien Jürgen Thorwald : ” Pour éviter des troubles dans les camps, les autorités américaines affirmèrent à plusieurs reprises que la remise des prisonniers à l’Union soviétique n’était aucunement prévue. Nombreux furent ceux qui s’accrochèrent à ces promesses. (..) Leur tour vint quelques mois plus tard. (..) Il y avait encore à la fin de la guerre 700000 citoyens soviétiques portant l’uniforme allemand, d’après les registres du commandement suprême de la Wehrmacht. Aucun document ne permet de connaître le petit nombre de ceux qui ont échappé aux Soviets, et l’histoire demeurera muette à ce sujet ” (in ” L’illusion “, p. 306 et 307, Albin Michel Ed. 1975). Les officiers seront exécutés, la troupe finira dans le Goulag. Beaucoup de ces prisonniers préférèrent le suicide au moment de leur livraison.
Voir d’autres soviétiques à Cherbourg: p000889
Référence : page 228 de La guerre des GI’s Normandie 1944 de Georges Bernage et Georges Cadel chez Heimdal, 1994

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February 8, 2008 History, Photography

Upon finding the above in the PhotosNormandie stream, I really had no idea how to characterize it, only that it’s stupid, funny and sad.  The people in this photo are from both the British military and the American military.  The caricatures on the bomb were drawn by Tex Avery.

It has a long caption -

Des soldats se bouchent les oreilles à la vue de leur camarade qui
simule l’allumage d’un énorme faux pétard à l’effigie d’Hitler et de
l’amiral japonais Yamamoto croqués en caricature façon Tex Avery.
On peut distinguer :
- deux Caporaux britanniques du Royal Corps of Signals sur l’épaule
voir l’insigne du calot => Field service cap (le plus à gauche semble porter le patch du VIII Corps, l’autre ?)
www.flickr.com/photos/mlq/2153962339/
www.flickr.com/photos/mlq/2172415008/
-un britannique du Royal Armoured Corps avec un béret noir portant le
cap badge du Royal Tank Corps/Regiment (note il porte le Service strip
du RAC et semble porté la corde du 1st RTR et l’insigne du Southern
Command dans sa variation pour le RAC peut être un instructeur ou un
soldat détaché à ce command)
www.flickr.com/photos/mlq/2154695886/
www.flickr.com/photos/mlq/2154695882/
-des marins américains, un US Coast Guard
-un soldat portant le liner, Helmet liner M1
En arrière plan l’USCG-60 Cutter 83516 (servira au D-day en secteur britannique)

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