Archive for January, 2008

January 26, 2008 Art, Photography

I’ve been highlighting single images from The Commons, but all three of the warships below seemed to belong together.  One was a New York-class battleship, another was built in New York and the third visited New York, so that’s part of the commonality here.  All of the photos in this collection are from the Bain News Service, were scanned from glass plate negatives, and have no attributed photographer.

There was a period where the military power, and the extendability of that power was directly tied to one’s naval tonnage.  These machines were the apex of the industrial era, symbols of man’s increasing power to create and invent.  Whole networks of coaling stations were set up around the world to keep them traveling and moving, an early neo-colonialism of resources, as the concept of the global superpower came to define true political power in the 20th Century.



Above: Launching of Texas.  The USS Texas is a New York-class battleship that saw service in both World War I and II.  She  served primarily as a convoy escort in both wars, but at the end of WWII she saw service shelling the beaches of Normandy before transferring half way around the world to make use of her guns at the battles of Iwo Jima and Okinawa, before being decommissioned in 1946.

It’s worth noting that the Texas was both the first battleship to be equipped with anti-aircraft guns, launch aircraft and to mount radar.  In a previous post I made brief mention of the transition from naval power to naval-based air power in WWII, a trend predicted and prepared for by both Brigadier General Billy Mitchell and Admiral Isoroku Yamamoto.  So the Texas is a part of that revolution in the application of force.  She was also the first battleship to become a museum ship - you can visit her in Houston any time you like.

Above: Fei Hung.  Coming across this photo was mysterious.  Obviously this ship bears a Chinese name, but where was it being built when this was taken?  Google quickly answered my question.  The Fei Hung was one of three training cruisers ordered by China in 1910.  The first was delivered in 1911, but the 1912 Chinese Revolution intervened, and the Fei Hung was never delivered to China.  It was built at New York Shipbuilding and in 1914 she was sold to Greece and re-christened Helle.  After being sold to Greece though, she was captured by the french and served under the French Flag in WWI from 1916-1917.  She was returned to Greece after the war.  In 1926-28 she was completely refitted as a cruiser-minelayer, and on August 15, 1940 Helle was torpedoed by an Italian submarine.

Above: MOLTKE on Hudson River 6/12.  The SMS Moltke has the unique honor of being the first and only German warship to ever visit the United States.  It toured the East Coast for two weeks in 1912, before returning to Germany.  Christened in 1911, she served Germany in WWI, and was scuttled, and then later raised and scrapped following the war.

In the 19th Century, Germany revolutionized the command structure of their armies, with the concept of the General Staff.  Helmuth von Moltke the Elder, for whom this ship is named, served as the chief of the General Staff from 1857-1888.  He was a sharp, post-Clauzwitzian thinker, in an era when military commanders were nearly monomaniacal in their faith in planning and control over the battlefield, he was the first modern commander to truly understand the fluidity and chaos of combat.  Rather than contain something that could not be contained and controlled, he sought to understand that chaos and then to develop an organizational structure that could adapt to and take advantage of it.  So the post-modern, 4th generational warfare that armies and non-armies engage in today has much of its roots in Moltke’s thinking and the thinking of those who have followed in his footsteps.

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January 25, 2008 Art, Gallery, Photography

I just got wind of some new things that might be of interest in LA for Saturday night.

Christine Nguyen @ Michael Kohn Gallery (image above).  Whenever Christine has a show, I’ll be right here to tell you that you must go and see it.  Her work just keeps getting better and better.  Other artists creative enough to work in such an novel medium might sit on their novelty and stop being creative, but Christine continues to take creative risks in her work, and experiment with new techniques.  I really loved what she has been doing with salt crystals as of late, and I’m looking forward to seeing how that comes out in her work.  I could go on and on about my obsession with salt, and artists who work in it, but that’s for a later post.   Reception is 6-8 PM.


ISM: Community Project
at Koos Art Center.  The guys from ISM: magazine are opening a new gallery in the back of Koos over in Long Beach.  A ton of young artists, probably all wearing cool hats, maybe drinking Pabst, having a good time in the LBC.  Good luck to them on their new venture.  7-10 PM.

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Uncategorized

I still can’t seem to come up with a witty post title, so I’ll just avoid pun based post titles on this one.  I’m just not doing my job, I guess.

Of course, there’s follow-up articles appearing on yesterday’s federal raid on various Southern California art institutions.  I was at the Getty last night for a lecture, surrounded by institutional curators, and there were a ton of people making little jokes, but no juicy gossip.  The details just haven’t emerged yet, I guess.

LA Times

Raid suggests a deeper network of looted art, Workers, visitors see an unusual exhibit: agents at the door

Fun quote: Arriving at LACMA’s gates, Director Michael Govan had to ask permission to be let into his own museum.

New York Times

Four California Museums Are Raided

Tyler Green

Museum attendance by federal agenst up dramatically

I suppose the interesting end of this is the wait and see as to whether or not various museum staff will face criminal charges for their role in the alleged smuggling and tax fraud operation.  It’s also singularly embarrassing that on top of the recent scandals at the Getty, this is taking place in Southern California.  I’m sure that this isn’t a “Southern California” problem, as anyone who’s been to a museum anywhere in the Western World can see, there are a ton of objects that probably shouldn’t be there.  And that’s just the stuff on display. 

A lot of the artifacts are smuggled from Thailand, a country I have a deep love for and I hate to see abused.  It just pisses me off.

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Art, Photography

Still loving The Commons, but now dipping into the black and white territory of News in the 1910s, a collection of images from the Bain News Service.

What can I say about the above that the image doesn’t say itself.  I was tempted to post this image of Pancho Villa and his staff, but I’m more moved and interested in this lone, anonymous figure and his scratched on descriptor.  This glass plate negative has one of the hallmarks of that technique, a dreamy softness, that synchronizes perfectly with the unknowable thoughts of this man.

At Top: Typical Mexican Revolutionist, Bain News Service, ca. 1910 - 1915

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January 24, 2008 Art, Gallery, Museum

Today at 7:30 AM the feds raided LACMA, the Pacific Asia Museum and the Bowers Museum in Los Angeles, as well as the Mingei International Museum in San Diego and the Silk Roads Gallery on LA Brea, all apparently related to an investigation of alleged art smuggler Robert Olson and the owner of Silk Roads, Jonathan Markell.  Apparently this is the result of a “five-year investigation into an alleged smuggling pipeline that authorities say funneled looted Southeast Asian and Native American artifacts.”

The La Times has the story, which bullet points the allegations made in the warrants.


* Olson and Markell told the undercover investigator that they regularly bought Thai antiquities from looters and smugglers. Sometimes they smuggled them into the United States personally, they said. They sold them to clients in Los Angeles, including some museums that were aware of their origins.

* Olson and Markell separately admitted running elaborate donation schemes, providing their clients with forged appraisals that inflated the value of objects by as much as 400%. They then helped these clients donate the looted objects to local museums, which gave the clients a tax write-off at the inflated value.

* A senior curator at the Bowers Museum, now deceased, regularly accepted loans of objects he knew were looted from Thailand and Native American graves. The museum’s current director, Peter Keller, also allegedly knew about the practice and had visited Olson’s storage lockers. An appraiser claimed Keller participated in the donations scheme.

* Curators at the Pacific Asia Museum accepted from the agent donations of objects they believed to be illegally exported from Thailand. A senior curator told the agent the museum “had a lot of Chinese stuff the Chinese government would not want exported,” and continued to buy more.

* LACMA, the Mingei and the Berkeley museum also regularly accepted donations from Markell, the warrants state, though it is unclear from the documents whether the museums knew the objects were illegal.

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Art, Photography

I think tomorrow I’ll switch to posting black and white images from the turn of the 20th century for a bit.  The Commons is just too good.

As a die-hard Californian, I love seeing this state tamed by the powers of industry.  Man is an animal, and he is at his most magnificent when he bends nature to his will, as seen above in the construction of the Shasta Dam, near Mount Shasta, California.  I love concrete.  I love the way that it becomes landscape, how it stains and chips.  I love the arc of freeway on-ramps, and the cold feel of slab concrete under my feet.  Concrete was the tool of the Romans, who perfected the arch, who were fearless and in their bending of nature to their will; Roman roads and aqueducts are still in use today.

Here, I love the angular massiveness of the concrete form being poured.  I love how the underlying strength of this structure is numbers, math and the accumulated knowledge of centuries, coming to fruition.  The valley beyond the dam will become a lake, controlling the water supply that feeds (and can destroy) the Central Valley farms that feed tens of millions, and the dam’s 610 megawatts will power the electric lights of burning cities, far, far away.

This image is a good opportunity to inform that all of these images are
available and download ready in their highest .tiff resolutions.  This
photo has such colour, and so much detail that it really needs to be seen wider than the 500 pixels that my website allows.  The 95 MB download of the high resolution version is available here (not a direct link).

At Top:
Shasta dam under construction, California, Photographer: Russell Lee, June 1942

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On the Road

Sign of the End Times - GAS WAR

Last night, a snowstorm closed the I-5, forcing us to take the 58 to detour through Bakersfield and over to the 14 to get home on time.  The detour was great, because we got to drive through a snowstorm near Tehachapi, the first snow I’ve been in contact with since I was about 5 years old.  According to the news, they later closed the 58 due to snow, which I can totally believe.  Great drive, though.

I digress…  In Bakersfield, sitting at a stop light, I became 100% convinced that we are living in the End Times (not necessarily the Christian End Times, but somebody’s).  The evidence, the sign above, for the Gas War gas station in Bakersfield.  i’ve been waiting for the end of the world to begin for some time now, so I’m pretty eager and biased to see signs of it’s coming.  Stockpile your food, ammo and guns, because you won’t have an opportunity to arm yourself after the raging mobs of gasoline deprived commuters take to the streets looking for anything to keep their combustion going.

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January 23, 2008 Art, Gallery, Museum

There’s a thing or two to see in LA over the next few days..

Thursday, January 24

Lothar Schmitz, an artist whose work I installed years and years ago (a two person show with Christel Dillbohner at El Camino College - wonderful experience), is opening his show, Tamper, at 5PM, with an artist talk.  Lothar is a plasma physicist, who if I recall correctly was doing fusion research at UCLA back in the 90s.  A totally amazing guy to talk to and to hear talk.  View the full announcement and PR talk for the show here. 5PM - University Art Museum, Cal State Long Beach.

Object in Transition: Contemporary Voices at the Getty.  Apparently there are still tickets available, according to the Getty site.  The GRI is sponsoring a conference this weekend dealing with contemporary art materials and the technical and preservation issues that surround them.  Thursday’s panel is open to the public, and features chatter from Robert Gober, Rachel Harrison, Paul McCarthy, Doris Salcedo and Christian Scheidemann.  Moderator is Elisabeth Sussman.  At 7:30 PM, Getty Center.

Friday, January 25

Danial Nord, Fate Machine. Danial is one of the most clever people I know.  His show at Haus last year was disturbingly good, so I’ve got high, high hopes for Fate Machine.  At Fringe Exhibitions in Chinatown.  Reception from 6-9 PM.

Art LA opens.  Yeah, LA has an art fair.  No one I know is bragging about Miami (word on the street is that artists and galleries may have to work for their money in the future.  Can you believe it?), and since the global economy is just about to tank, leading to famine and the deaths of millions (ahh… hyperbole, sweet, sweet hyperbole), so who knows how this one will do.  It runs all weekend at the Santa Monica Civic.

Saturday, January 26

The Future of Nations: Patriot Acts + The Habeas Lounge
. Linda Pollack has been doing projects about constitutional rights issues, following the signing of the Patriot Act.  We’ve worked with her at Angels Gate, and the talk we had about post 9/11 port security was great, especially for a security issues buff like me.  I very excited to see what she does with this project, since one of the artists involved is Tommy Gear, presumably from the Screamers and another is my old friend Irina Contreras, whom I haven’t seen in too, too long. Other artists include Francesca Zeal Harris, Sara Hendren, Vincent Johnson, Hillary Mushkin, Meena Nanji, Rebecca Ripple, Susan Silton, Pam Strugar, and Shirley Tse.  Reception is 6-9 PM.  Exhibition is at the 18th Street Arts Center.

Sunday, January 27

Last day to see the Wayne Thiebaud show at the Laguna Art Museum!

Art, Photography

Still on the road, pimping The Commons, keeping it brief.  This photo speaks for itself.

At Top: Woman putting on her lipstick in a park with Union Station behind her, Washington, D.C. Photographer: Unknown, ca. 1943

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January 22, 2008 Art, Photography

Still in SF, keeping it brief.  Still pimping the The Commons over at Flickr.

Americans, working in hot sun in what barely even looks like soil, at the Tule Lake Internment Camp, 1942 or 43. Tule Lake was one of ten concentration camps operated by United States during World War II.  Tule Lake was the camp where American citizens of Japanese ancestry were sent when they deliberately or accidentally checked the wrong boxes on their “loyalty questionnaire.”

Point of interest/disgust - Some internees at Tule Lake weren’t released until 1946 - nearly a year after the war was over.

At Top: Japanese-American camp, war emergency evacuation, [Tule Lake Relocation Center, Newell, Calif.]  Photographer: Russell Lee?

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