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I forgot to mention that Fun Razor for LA Freewaves that’s going on at LACE this Saturday night.  I got the chance to work with Freewaves director Anne Bray during FR8 last year, she was our special guest video curator, and if they let me do FR8 or anything like it again, I’ve got intentions to build a second shipping container theatre and bring Anne back to program both of them.

The event has a whole bunch of DJ’s and VJ’s with clever names performing (question - would the visual arts be better if artists had clever names?  Like I could be CA [Evil m, including my dear friend Eric Medine (VJing as Salty Robot), who was an artist in FR8.  It’s $10 in advance or $15 at the door, and it starts at 9 with “eclectic world music” and then shifts at midnight to “dance music.”  All proceeds go to support the 2008 Hollwould… Festival of New Media Art.

Technorati Tags: Fun Razor, LA Freewaves, Eric Medine, Anne Bray

Again, I’m not sure I want to make this a regular thing, but since it’s the beginning of the season, and there’s so much great stuff going down, here it is.

Thursday, September 13

Impressions, The Printed Image @ the El Camino Art Gallery. This show is a winner, featuring both South Bay and regional talents. Check out the post below, or the Flickr page of images from the show for a preview. Artists in the show include Jessica Dunne, Jocelyn Foye, Mark Greenfield, Yunsun Lee, Besty Lohrer-Hall, Robin McCloskey, Phyllis McGibbon, Patrick Merrill, Kamran Moojedi, Annette Owens, Victor Raphael, Laura Stickney, Richard Wagener, Medora Wildenberg and Thomas Wojak. Parking at El Camino after 7 PM is easy, and you can use the staff lot at that time, so you don’t have to hike.

Friday, September 14

Barry McGee: Advanced Mature Work @ REDCAT. Some people love REDCAT, and think it’s the smartest thing in LA. Some people hate it. Everybody loves Barry McGee, so therefore, everyone will love REDCAT’s next show. Not sure exactly what the site specific piece is going to look like or be, but I’m sure it will be awesome. The PR says it’s his first solo show in LA since his Hammer show in 2000, but I remember him having a show at a gallery on Wilshire that involved an upturned, painted van more recently than that. Is my memory gone? Opening reception is Friday, from 7-10 PM.

Saturday, September 15

re-Perspective @ The Office. I’ve enjoyed watching The Office hit the right notes over the past 4.5 years, but all songs end. This Saturday, the final show at The Office opens. It’s a a show guest curated by Chloe Flores and Autumn Beck that “explores the relationship of politics, technology and the feminist movement of the 1970’s as they are positioned in dialogue with the contemporary concerns and ideology.” Artists are Audrey Chan, Gioj De Marco, Ana Teresa Fernandez, Robert Hollister, Yucef Merhi (warning - Yucef Merfhi link makes a ton of noise) Seth Price and Greg Santos.

Chris Hoff, who runs the Office, also runs the excellend OC Art Blog, a must read in Los Angeles, and he curated the Who Killed Bambi? show that opened last week. I’m hoping that he stays a busy guy - he’s one of the people making the Southern California art scene interesting.

MorYork: (dis)place, two - performances @ Mor York Gallery. I made my first visit to Moryork Gallery on Saturday night, and I was blown away. John’s installation is beautiful, and it does amazing things with light when people are moving through it. The Gallery itself is a mind blowing space, too. It’s a massive warehouse filled with some of the most amazing things you’ll ever see, scores of glass cases filled with neatly organized curios, massive hanging sculptures made from buttons, puzzle pieces and bottle caps, furniture made from hundreds of yardsticks, all belonging to artist Clare Graham. It’s one of Los Angeles’ most awesome hidden secrets.

Saturday night David Meyer and PJ Wyderka will be performing 3 Movements for Cello and Bass in relation to the piece. Also, Molly Bendall and Daniel Tiffany will be reading poetry.

Mor York is located at 4959 York Blvd., Highland Park, CA 90042.

Sunday, September 16

Humor Us @ the Municipal Art Gallery in Barnsdall Park. Because of its lack of funding, the limited hours and various PR issues, good shows at MAG often end up under the radar. It’s one of the best exhibition spaces in the city, though, with high walls and ceilings, open spaces, and various rooms that are perfect for installation works. The show that opens this Friday has been described to me as a “three curator Japanese humor show.” I’ve also been told by one of the people at the gallery that “I will like it.” I know that the show has something for everyone, including bestiality, scatology and a snail strapped to a roller coaster.

Artists in the exhibition include Shane Abad, Tetsuji Aono, Susan Choi, Young Chung, Allan deSouza, Cirilo Domine, Reanne Estrada, Pearl Hsiung, Byoung Ok Koh, Terence Koh, kozyndan, Dinh Q Lê, Candice Lin, Sandra Low, Sandeep Mukherjee, UuDam Nguyen, Kaz Oshiro, Joey Santarromana, Anna Sew Hoy, and Niphan Suwannakas.

Opening reception is Sunday, from 2-5 PM. As always, parking at Barnsdall is a bitch, good luck.

Technorati Tags: Municiapal Art Gallery, The Office, Mor York Gallery, John O’Brien, Impresions, printmaking, El Camino College Art Gallery, REDCAT, Barry McGee, Humor Us,

I’m taking classes at El Camino this semester, cleaning up my much abused academic record, and preparing to finally go about getting my BA in something…  So spending time in and taking photos of the ECC art gallery shows is awfully convenient.

Impressions, The Printed Image is apparently a really popular show on campus.  I was in the gallery office today, shooting the breeze, and Susanna Meiers and Michael Miller, the Gallery Director and Exhibition Preparator, mentioned that the gallery seems to be experiencing exceptional traffic for this show.  So kudos to them.  Impressions is a great example of the kind of curation that I learned working under Susanna for four years.  You have a mission - showcase art for the student population at ECC.  You find a way to follow that mission, without compromising the quality of work in the gallery.  You use works that are easily accessible to draw your audience towards works that require more investment, or are more conceptual.  You balance shows that are more conventional like this one against risky shows of aggressively experimental installation works by solo artists.  Working within a gallery’s mission, especially when that gallery is a pubic or municipal space, can be tough, it can be emasculating.  Or it can be an opportunity to deliver tremendous work that’s incredibly relevant to the audience you serve.

The show doesn’t have a web page of its own that I can find, except for a page listing the artists participating in the exhibition.  They are Jessica Dunne, Jocelyn Foye, Mark Greenfield, Yunsun Lee, Besty Lohrer-Hall, Robin McCloskey, Phyllis McGibbon, Patrick Merrill, Kamran Moojedi, Annette Owens, Victor Raphael, Laura Stickney, Richard Wagener, Medora Wildenberg and Thomas Wojak.  Here’s a link to my Flickr set of images from the exhibition.  The show is up right now, and there’s a reception this Thursday, 7-9 PM.  There’s also a talk with Artist Betsy Lohrer hall next Tuesday (the 18th) at 1 PM.  I’m not missing that.  Below are some highlights from the show.

Above - Betsy Lohrer-Hall, Sweeping Light with a Broom - Let’s start with Betsy, since she’s so awesome. Betsy is one of my favourite people. Beyond simply liking this piece for the aesthetics - Betsy has a way of bringing a quiet subtlety to anything, she could make an A-bomb seem quiet and contemplative - I’m so proud that a aspects of this piece were completed and made possible through the printmaking residency that we gave her at Angels Gate (here’s a link to the interview my intern did with her during her residency). I was in the studio the day after she pulled the red slip image that’s in this piece, and it’s gorgeous. The piece is also accompanied by a great big label that’s really informative about the piece.

Above - Kamran Mojedi, Nelson Mandela - I’m really attracted to this image, and work that shows the electronic hand of various plotter programs in general.

Above - Jocelyn Foye, Goodyear Blimp Performance and Swimmer Performance - I may have butchered/mangled the titles on these works, forgive me. Several of the artists in this exhibition are ECC faculty, and Jocelyn is one of them. I’ve seen Jocelyn’s blimp piece in her studio, and I think it really shines in the gallery. I’ve had the pleasure of working with her twice over the past year, and I’m really enjoying seeing how her work is developing. I can’t wait to work with her again.

Above - Laura Stickney, Lincoln Beachey - Lincoln Beachey, according to Wikipedia, was a pioneer American aviator and early star performer. This piece, by Laura Stickney is a beautiful book containing a poem about him.

Above - Patrick Merrill, 4 Horsemen of the Apocalypse - Based upon four huge woodcuts, Merrill’s 4 Horsemen is a really impressive technical achievement, in addition to an excellent piece of political art. This piece was in a Jean Clad curated exhibition Master Printers, at the Municipal Art Gallery about a year ago. I did the exhibition design for that show, and this piece is big, big, big in person. It wasn’t possible to shoot the image there because the space was so narrow, so I’m really glad that I got to shoot it here and share it as well. It was one of the stand out pieces in both that show and this exhibition.

Technorati Tags: Jocelyn Foye, Partick Merrill, Laura Stickney, Betsy Lohrer-Hall, Kamran Mojedi, El Camino College, El Camino College Art Gallery, art, printmaking, prints, art exhibition, exhibition

I’m engaged in an interesting conversation with artist Timothy Buckwalter in the comments of one of my Flickr images, and I cruised by his site, only to discover a post about what looks like an awesome Lisa Solomon argyle felt tank installation as part of her Currently West show in Kuomi, Japan.  Lisa has a Flickr set for the exhibition, so you can see at bunch of images of the piece and the process.  Just had to share…

Technorati Tags: Lisa Solomon, tanks, argyle, felt, art, installation art, art installation

Basil Wolverton Homage in a Basilic Vein

I grew up as a devotee of Mad Magazine, and thusly, a Wolverton fan.  I’d go a lot further than Santa Ana to see a show of his works, especially a private collection show.  In addition to the works below, there was a wide selection of works by Wolverton, as well as several cases of merchandise and other mass market work.  While Wolverton is known for his distinctive “spaghetti and meatballs” style of drawing, for me, the highlight of the show was Wolverton’s excellent science fiction work, especially works done in the 1930’s - before World War II, the Cold War and the atomic bomb changed everything in the genre.

Above - my favourite piece in the show.  I don’t know the context of this piece, but the illustration of the Horsehead Nebula at the bottom is fantastic.  The ship and “tower” designs remind me of Hugh Ferris’ 1929 re-imagination of the future of New York, The Metropolis of Tomorrow.

Above - This piece is also my favourite in the show.  It’s hard to see the whole thing, even at maximum size, but it tells the story of a shrink ray experiment, and is suitably scien-tastic and subtle.  The complete lack of expository text or dialog gives the piece a dreamy quality.  Looking at it, I’m reminded of the old LEGO Idea books, which contained characters and models, on some sort of adventure that took them to a variety of situations showcasing the potential of various LEGO themes (castle, space, town…), but had no text.  As a child, and as an adult I’ve always liked slowly “reading” stories told without the the burden of words.

above - the back wall of the Wolverton show had this great big wall painting installed.  This was a nice touch, and whomever painted it had a great hand - it’s really well done.

Mark Mothersbaugh Beautiful Mutants

I woudn’t have gone to see this show if it wasn’t in the same building with the Wolverton show.  As godlike as Devo were in the 1970’s, I’ve long felt that Mark Mothersbaugh is the Chevy Chase of punk music - at some point whatever quality infused his early projects vanished.  He’s largely spent the past 20 years phoning in cartoon and commercial work, occasionally he delivers something with the same genre defining (Rushmore & The Life Aquatic with Steve Zissou soundtracks) intensity as his early projects, but only as rare spikes on the graph of his career.  Today, I most often encounter his work in some kind of painful pseudo-remix of a Devo song, hawking some irritating brand - usually bringing pain to my ears and soul.

The show consists of scores of tiny faux-old photographs in small cases, all manipulated using the same method.  There are also a few dozen larger works, all crammed into a small square room.  Aside from the immediate novelty and the effect of all of the repetition, the works themselves come off as tired.  Looking at them I was reminded of student show work.  The cases also have an overpowering aesthetic - as a viewer, I was more interested in the cases than the images themselves.

The highlight of the show was witnessing a pack of people following Mark out to the hipster ice cream van parked out front. A crowd of DSLR equipped folks were shooting his every move like he was a supermodel.  I don’t know what I felt more, pity for Mark, or disgust for the guys working the cameras.

Orange County Never Changes

No trip across the Orange Curtain is complete without some bit of surreality and a hammer-your-face reminder of the area’s still vibrant conservative culture.  In younger days, a trip to the OC to see a punk band was a nervous drive - would I get pulled over?  Would there be a fight with neo-Nazi skinheads?  Is that a cop behind me?  It’s almost good to know that the area’s changes haven’t destroyed the area’s “interesting” right wing culture.

Tom Tancredo remains the only congressman that I’ve ever sat down and written a lengthy, carefully written letter to.  This was in response to the first round of his advocacy to nuke Mecca should the United States be subjected to nuclear or equivalent terrorism by an Islamic party.  When I’m not doing art related stuff, my other passions include history and military theory.  So, without getting deeply involved in the numerous reasons why such a position is not only foolish, but how even a Congressman stating such a position is dangerous, let’s just say that I wrote my first angry letter to congress about this guy.  Thankfully he’s a representative in Colorado, so that his attitude doesn’t stain my state.  I received the standard form letter that one of his staffers wrote in response to the many complaints he received about his statement, which had almost nothing to do with the context of my own letter.  Reading them side by side was an exercise in surreality.

Anyways, he’s running for president (proving he’s an imbecile on two levels 1) His knowledge of the current global security situation is sorely lacking and that 2) He actually believes that someone as decidedly abnormal as he could be elected president).

The above sticker belongs to a car driven by two white middle aged men, who also had a enigmatic bumper sticker advocating that we “Free the Agents.”  I’m not sure what agents.  They arrived at the same time as us, and I made a point to walk alongside them as I left the parking structure and went down to the street.  I never figured out where they were going, but I did get to overhear on of them say this revealing gem “We’re just trying to give a leg up to all of the white kids who are being held back.”  Way to stay in character!

Technorati Tags: art, Basil Wolverton, Mark Mothersbaugh, Tom Tancredo, Tancredo 2008, bumper sticker, Grand Central Art Center, Santa Ana, Beautiful Mutants

The heat wave was cruel to my tomato plants, as well as to my corn.  I have high hopes that warm weather will continue, and that my garden will experience a second coming of sorts.  My heirlooms seem to have stopped producing, and are trying to become some sort of a fruitless bush, but my pride and joy, the Limony Pear tomatoes seen above, apparently have a long season and can handle extreme changes in temperature.  The sliced tomato above is a Lemon Boy.  They’re good, with a nice acid/sweet contrast, but they tend to be a little on the fleshy side.

Technorati Tags: tomato, tomatoes, Lemon Boy, food, food porn

I neglected to mention one of my favourite institutions in my “weekend openings” post, and I’d like to rectify the situation.  The Torrance Art Museum had a trio of really great shows opening last night, photos of all to come.  These images are of Yong Sin’s show, Rule Out, in the “hallway gallery” - a space that often seems to feature some of my favourite South Bay artists.

Yong Sin is awesome.  The last body of work that she exhibited consisted of sheets of intricately hand painted wallpaper, managing to be simultaneously amazing and mundane.  Her 80 square foot foyer played host to what I thought was one of the strongest curated small works shows I’ve ever seen.

Above - Red Square Installation, as installed at the Torrance Art Museum.  My color on this image is a little off, as it’s more “red” in real life, but it was a weird shot to take.  The white lines are entirely composed of thin tape.  The pink and green action in the background is Fran Siegel’s installation.  More photos of that later.

Above - Red Square Installation, detail.  This piece, for all of it’s potential for monotony, was surprisingly easy to spend a lot of time in front of.

Above - Square 73. I guess what I like about these pieces is how they seem like lowbrow (and not in the Robert Williams sense) re-interpretation of what is often a very dry school of painting.  There’s something about Yong Sin’s work, in general, that seems to express a certain disrespect for the academic arrogance sometimes associated with painting.

Technorati Tags: Yong Sin, Torrance Art Museum, art, square, squares, tape

Outside of the obvious “world’s biggest” aspects, it’s hard to describe what makes The Legacy Photo Project’s Great Picture so compelling.  Like many other things who’s impact is governed by scale, The Great Picture really needs to be experienced directly.  It’s on view at Art Center in the Wind Tunnel until September 29th.  There’s an artists’ lecture taking place on September 20, from 7-9 PM, as well.

Above, The Great Picture, as installed at the Art Center College of Design Wind Tunnel - The most immediate and compelling aspect of the 130′ wide image is the obvious and painterly presence of roller tracks from the application of photo chemicals to the canvas.  It’s somehow fitting that an image which has been marketed as a capstone to the era of analog photography was executed in a manner so blatantly primitive and experimental.  The surreal nature of the immense image hanging in the giant space of te Wind Tunnel is made further dramatic be the presence of a bank of lights that oscillate between dim and bright.  The effect of this is that the piece is constantly emerging from and then retreating into darkness, with each oscillation you loose your point of focus on the image and are forced into viewing it anew.  I presume the low level of light has a lot to do with the longevity of the piece, and the changing level of light somehow brings something of value to it and heightens the drama involved.

The focus of the image is the horizon line. The presence of so much visual noise from the uneven application of chemical forces the viewer to have to work to discern the depth and complexity of the landscape that is captured in the image.  At first all that’s visible is the presence of an obvious assembly of communications structures, bristling with antennae and other doo-dads, slightly to the left of center, along the horizon lines.  After a few minutes of scanning the image, details become clear.  radiating out from the center of the horizon line are a series of lines, which rapidly become recognizable as the markings of the runway that extends from the door of the hangar used as the camera obscura to produce the image.  Off to the right side of the image, a slightly curving line reveals itself as a distant hillside.

Somehow this image manages to capture both the steel and concrete remains of the now abandoned air station, and the calm, soft landscape of Orange County.  It is an unimaginably dramatic and gorgeous object, and my brief encounter with it last night wasn’t quite enough.  I’m really going to have to make another visit, at a time when my experience isn’t contextualized by the presence of the mulling and murmuring crowd.

Above, detail of The Great Picture - This detail shot shows the variation in colour due to the uneven application of photo chemicals, as well as the image’s most obvious and discernible details, the control tower and an assortment of communications equipment.

Above - The six artists from the Legacy Photo Project. From left - Clayton Spada, Douglas McCulloh, Rob Johnson, Jacques Garnier, Mark Chamberlain, and Jerry Burchfield.  Here they are accepting “The World’s Largest Certificate.”

Technorati Tags: art, photography, Art Center, The Legacy Photo Project, The Great Picture, El Toro, El Toro Marine Corps Air Station, camera obscura

This week marks the start of the season for galleries in Los Angeles.  There are innumerable shows opening this and next week.  I don’t normally want to use this space as an “exhibition listing” but I wanted to pimp some really great projects that some of my various friends and associates have going on this weekend.  It’s been blazingly hot here in Los Angeles all week - I’m praying for some kind of freak rainstorm or cold front to come and return us to Mediterranean comfort before we all have to pile into tiny, hot rooms to look at art and swill bad wine.

Wednesday, September 5

Chris Hoff, who runs the excellent space, The Office, and who writes the invaluable OC Art Blog, has curated a show Who Killed Bambi? that opens this Wednesday at Cypress College.  The opening is from 7-9 PM and the show features Diana Markessinis, Liz Young, Mindy Cherri, Carrie Yury and Sarah FitzSimons.  The show runs until the 27th of September and here’s a handy link to directions.  Here’s a link to the show’s Artscene announcement, which has the full press release and the gallery’s address.

Thursday, September 6

THE GREAT PICTURE.  We showed Ghosts of El Toro, work by the six artists of The Legacy Photo Project, in 2005, at Angels Gate.   This show was a bonus, because I finally got to work with Douglas McCulloh, an amazingly talented photographer who’s gifted with a smart eye for interpreting subject matter, and an ability to find just the right way to execute work documenting a difficult subject.

Less than a year after meeting and working with this really talented team of artists, they executed a major coup - tuning an airplane hanger at the decommissioned El Toro Marine Air Station into a giant camera obscura, for the purpose of making the world’s largest photograph.  My schedule didn’t allow me to be one of the volunteers who assisted in the process, something which I’ll always regard as a serious personal disappointment, but seeing their work be so successful brought has brought me great joy.

For the first time ever, the piece will be on display in the South Campus Wind Tunnel at Art Center College of Design, starting Thursday, September 6.  The opening is from 6-9 PM, and it runs through the 29th of September, so it’s not there for long.  There will also be an artists’ lecture on September 20, from 7-9 PM.  The Wind Tunnel is located at 950. S Raymond Avenue in Pasadena, CA.  Great use of the Wind Tunnel - that space has all kinds of potential that have yet to be realized.

Friday, September 7

My co-worker and Contemplating Apocalypse artist, Meeson Pae Yang, has a solo show, Propagation, opening at Gallery 825.  Meeson’s installations and sculptures are built with an amazing sense of craftsmanship and she is the queen of the sculptural wonderland that is the McMaster-Carr catalog.  The reception is from 6 - 9 pm, and the show closes October 5.

William Pope L., Art after White People: Time Trees, & Celluloid at the Santa Monica Museum of Art. 
I recently saw the William Pope L. show at the Yerba Buena Center for
the Arts in San Francisco, and the most exciting part was watching a
woman sleep in a comfy chair in the darkened space.  I may just have a
bit of a thing for seeing people fall asleep in galleries, though.  I
can’t decide if I love his work, or if it’s devoid of anything I care
about, but I’m going to go see this show, just because I was so
impressed with SMMOA’s last show, and I have a certain amount of faith
in their curatorial abilities.  The reception is from 7-9 PM and the show runs until December 23.

Saturday, September 8

John O’Brien at MorYork Gallery.  MorYork is a totally new space to me, and John O’Brien is one of those people who keeps me in this crazy business.  I’ve worked with him twice in the past decade, and both times I’m blown away by his abilities as a curator and as a gallery director.  I’ve encountered his artwork sporadically, mostly in group shows - and it is made with the same brilliant attention to detail and form that he brings to everything else he does.  I’m really interested in seeing his work in a solo environment, so I guess this is my chance, and yours, too.

The show, MorYork: (dis)place, two, is a reprise of DIS-PLACE IN TIME, an installation John did in 2005 in Seattle, Washington.  The reception is from 7-10 PM and the Gallery is at 4959 York Blvd - at York and Ave. 50, Los Angeles, CA 90042.  The show runs until October 6, and is open by appointment only after the reception.  Call 323-376-4428.  Also, this Saturday is NELA (North East Los Angeles) Art Night, so there’s more openings at galleries in the area.

Pipo Nguyen-duy, East of Eden, at Sam Lee.  Sam Lee is a newer space in Chinatown, and I hope it finds success in the long run.  I attended the opening for their last show, Nexus, and I was really impressed with the quality of work in the room.  For a tiny room, the work was really well displayed, and it was somehow possible to see everything, despite the crowd.  I don’t know Pipo Nguyen-duy’s work, but the image on the postcard is jaw dropping, everyone coming through my office keeps trying to make off with it, but I won’t let them.  The opening is from 7-10 PM and the show runs until October 20.

Tom Sachs, Space Program, at Gagosian Gallery.  Tom violates the friends and lovers theme of this post, but I’ve become an increasingly big fan of his work, so who cares?  This show apparently involves the display of a huge replica of a lunar module.  How can I not recommend that you go and see it?  Apparently it contains a “full stocked booze cabinet.”  I have a feeling that this exhibition is going to go over really well in LA.  The opening is from 6-8 PM.

Sunday, September 9

GLAMFA - Greater Los Angeles Masters of Fine Art Exhibition.  I’ve managed to work with quite a few folks participating in this show recently, so I’m pimping it, and specifically the boys and girls at CSULB.  CSULB is home to the “largest art department west of the Mississippi” which could be a meaningless statement, if their faculty and students weren’t so damn good.  This exhibition is put together by CSULB students, so hopefully they’ve turned their bullshit detectors to eleven, filtered out the crap, and are going to prove that MFA programs are capable of producing professional artists (I didn’t sound too cynical about the current state of MFA programs, did I?).

Putting this thing together has been a huge endeavor for the CSULB students, and a great chance to cut their teeth on the organizational side of things.  I’m super proud of all of them, and I hope that this exhibition brings their program some much deserved kudos and attention.

Anyways, it’s also the same day as the CSULB Open Studios, so there’s probably no better chance this year to pick up a young, vulnerable artist for your soon-to-be-badly-run “gallery.”  The opening is from 4-9 PM, with performances at 4 PM and a film screening at 7 PM.  The show runs until September 20 - a quick run, catch it before it’s gone.

Technorati Tags: art, art galleries, art openings, exhibitions, art exhibitions, Meeson Pae Yang, GLAMFA, William Pope L., Chris Hoff, Tom Sachs, Santa Monica Museum of Art, John O’Brien, Sam Lee

The festival of summer tomatoes continues.  Can anyone name the exact point when it became common/acceptable to refer to exceptional examples (or even regular, everyday examples) of things we like as “porn”?  Does this mean that pornography has become so acceptable that we’re now categorizing everything in terms of it?  Or does it mean that we’ve become so jaded by pornography and its various pop culture relations that we’re looking for new things to consider pornagraphic?

Technorati Tags: food porn, tomato, heirloom tomato, food